| Film database |
|
All films from: Hrvatska
Filmed in year: |
| 1944 |
| Lisinski |
| 1947 |
|
| This people will live |
| 1949 |
|
| The Flag |
| 1950 |
|
| Blue 9 |
| 1951 |
|
| Bakonja fra Brne |
| 1952 |
|
| Ciguli Miguli |
|
| In the storm |
| 1953 |
|
| Rocky horizons |
|
| Blue seagull |
| 1954 |
|
| Concerto |
| 1955 |
|
| The Girl and the Oak |
|
| Mr. Ikle's Anniversary |
|
| Millions on the island |
| 1956 |
|
| Don't look back, my son |
|
| Siege |
| 1957 |
|
| Our Ways Diverge |
|
| Haven't been in vain |
|
| Just people |
|
| Master of ones body |
| 1959 |
|
| Pico |
|
| Paradise cranny |
|
| Train without a schedule |
| 1960 |
|
| Ninth circle |
|
| Peak 905 |
|
| War |
|
| Signals over the city |
|
| X - 25 notifies |
| 1961 |
|
| Alphabet of fear |
|
| Martin in the clouds |
|
| Quest for the dragon |
|
| Adventurer in front of the door |
|
| Happiness comes in 9 |
|
| Clash on the parallels |
|
| The Great Trial |
| 1962 |
|
| Did a good man die? |
|
| Early autumn |
|
| Sheky shoots, watch out |
|
| Shadow of glory |
| 1963 |
|
| A man from the photograph |
|
| Double encirclement |
|
| Face to face |
|
| Uprising in Nevesinje |
|
| Dangerous journey |
| 1964 |
|
| The Big Nikola Bursac |
|
| True state of affairs |
|
| Prometheus from the Vishevica island |
|
| Daybreak |
| 1965 |
|
| The man of the world |
|
| The other side of the medal |
|
| The Key |
|
| To come and stay |
| 1966 |
|
| Glance to the pupil of the Sun |
|
| Monday or tuesday |
|
| Rondo |
|
| Seventh continent |
| 1967 |
|
| The birch |
|
| Fourth companion |
|
| Black birds |
|
| Illusion |
|
| Kaya, I'll kill you! |
|
| Protest |
| 1968 |
|
| Naked man |
|
| Gravitation or unbelievable youth of the clerk Boris Horvat |
|
| I have two moms and two dads |
|
| Three hours for love |
| 1969 |
|
| Wild angels |
|
| The Event |
|
| Love and some curses |
|
| Sunday |
|
| Accidental life |
|
| When you hear the bells |
| 1970 |
|
| Bablje leto |
|
| Pera Kvrzica's company |
|
| The Foster |
|
| Days are going |
|
| Eleventh Commandment |
|
| Foxes |
|
| Voyage to the paradise |
|
| Who sings - doesn't mean bad |
| 1971 |
|
| Scents, Gold and Incense |
|
| Voyage to the accident scene |
|
| Green pine grows in a forest |
| 1972 |
|
| Deer-hunt |
|
| Afternoon of a Pheasant |
|
| The first Split unit |
|
| Solitary Wolf |
| 1973 |
|
| Chronicle of a crime |
|
| You get it, buddy? |
|
| Shepherds |
|
| Boundaries |
|
| Timon |
|
| Live from love |
| 1974 |
|
| Deps |
|
| Captain Mikula the Little |
|
| Kud puklo da puklo |
|
| A Hamlet performance in the village of Lower Mrdusha |
| 1975 |
|
| Hitler from our street |
|
| The house |
|
| Torments by Mathew |
|
| Assassination in Sarajevo |
|
| Assassination in Sarajevo |
|
| The 1573. farmer's uprising |
| 1976 |
|
| The Rat Savior |
|
| Train in a snow |
|
| Four days till death |
|
| The peaks of Zelengora |
| 1977 |
|
| Haiduks epoch |
|
| Flyers of a great sky |
|
| Mad days |
|
| The Blizzard |
|
| Don't bend over |
|
| The Shot |
|
| Operation "Stadium" |
| 1978 |
|
| Bravo maestro |
|
| Ljubica |
|
| Occupation in 26 pictures |
|
| The last accomplishment of Oblak the Saboteur |
|
| Court Martial |
| 1979 |
|
| The man who should be killed |
|
| Better something than nothing |
|
| Seasons of Zeljka, Visnja and Branka |
|
| Journalist |
|
| Infernal island |
|
| The return |
|
| Across the blue sea |
|
| Slow movement |
|
| That's the Way the Cookie Crumbles |
| 1980 |
|
| The Lost Homeland |
|
| Mad house |
|
| Secret of Nikola Tesla |
|
| The adventures of Borivoje Surdilovic |
|
| Temporary work |
| 1981 |
|
| Guests from Galaxy |
|
| Kissing is only once |
|
| Do You Remember Dolly Bell? |
|
| Snadji se druze |
|
| High Voltage |
|
| Southbound train |
|
| The crime rhythm |
|
| The fall of Italy |
|
| Banovic Strahinja (The Falcon) |
|
| The train for Kraljevo |
| 1982 |
|
| I want to live |
|
| Cyclops |
|
| Upset |
|
| Serventes from a Little Town |
|
| A crime in the school |
|
| Variola vera |
|
| To live as normal beings |
|
| My part-time dad |
| 1983 |
|
| Honeymoon |
|
| S.P.U.K. |
|
| The third key |
|
| Just once more |
|
| Moss on the asphalt |
| 1984 |
|
| Ambassador |
|
| The little train robbery |
|
| Secret of an old attic |
|
| Angel's bite |
|
| The Zadar memento |
|
| Within the jaws of life |
|
| The truckers are on the road again |
|
| Early snow in Munich |
|
| Una |
| 1985 |
|
| Anti-Casanova |
|
| The Red and the Black |
|
| Horvat's choice |
|
| House on the sand |
|
| Premeditated Love Letters |
|
| Istria's way |
|
| From Friday to Friday |
|
| It takes three for happiness |
| 1986 |
|
| Promissed land |
|
| Evening's bells |
|
| The wild wind |
|
| The dream of a rose |
|
| Beautiful women passing through town |
| 1987 |
|
| Sentenced |
|
| Women always ready |
|
| The guardian angel |
|
| The King's ending |
|
| Déjà vu |
|
| An officer with a rose |
|
| Marjuca or death |
| 1988 |
|
| Haloa - sluts holiday |
|
| Falcon didn't like him |
|
| In the middle of my days |
|
| Villa "Orchid" |
|
| Life with uncle |
|
| Jackdaw |
| 1989 |
|
| The man who liked funerals |
|
| Devil's paradise |
|
| Diploma for death |
|
| Donor |
|
| Glembay's |
|
| Return of Katarina Kozul |
|
| How rock and roll was ruined |
|
| The collection center |
|
| Hamburg-Altona |
| 1990 |
|
| Carnival, angel and dust |
|
| Summer for remembrance |
|
| Eagle |
|
| The deaf powder |
|
| Stela |
| 1991 |
|
| Caruga |
|
| Djuka Begovic |
|
| Pieces |
|
| Story from Croatia |
|
| The Time of Warriors |
|
| Virgina |
| 1992 |
|
| Stone gate |
|
| Luca |
|
| Golden years |
| 1993 |
|
| Countess Dora |
|
| A time for... |
| 1994 |
|
| Price of life |
|
| Vukovar: The Way Home |
| 1995 |
|
| Garcia |
|
| Night for listening |
|
| Rblje's fresco |
|
| Washed Out |
|
| Madonna |
| 1996 |
|
| How the War Started on My Island |
|
| The seventh chronicle |
|
| Travel the dark half |
|
| My dear Angel |
| 1997 |
|
| Christmass in Vienna |
| 1998 |
|
| Agony |
| 1999 |
|
| Holy Mary |
|
| Four-liner |
|
| Dubrovnik sunset |
|
| When the Dead Start Singing |
|
| Marshal |
|
| Red dust |
| 2000 |
|
| Cashier wants to go to seaside |
|
| Is it clear, my friend? |
